大理大学学报 ›› 2024, Vol. 9 ›› Issue (3): 76-83.DOI: 10. 3969 / j. issn. 2096-2266. 2024. 03. 011

• 文化-艺术 • 上一篇    下一篇

数字媒介下白族大本曲的自我重塑

杨识余   

  1. 云南大学文学院,昆明 650091
  • 收稿日期:2023-02-14 修回日期:2023-11-30 出版日期:2024-03-15 发布日期:2024-03-19
  • 作者简介:杨识余,博士研究生,主要从事云南少数民族民间文学研究。
  • 基金资助:
    国家社会科学基金冷门“绝学”专项项目(2018VJX053);云南大学第十三届研究生科研创新项目(2021Y020)

The Self-Remodeling of the Bai Daben Ballad under Digital Media

Yang Shiyu   

  1. School of Literature, Yunnan University, Kunming 650091, China
  • Received:2023-02-14 Revised:2023-11-30 Online:2024-03-15 Published:2024-03-19

摘要: 说唱艺术活态展演的特性为其立足传统的创造性发展预留了空间。经由抖音、微信的呈现与传播,白族大本曲从村落
之壤拓展至网络空间。短视频、网络直播、微信唱曲以贴近民众日常行为的方式,使得媒介展演成为村落弹唱的形式拓展与功
能延续,激活了先前处于半沉寂状态的大本曲演述传统。民众将地方文化因子整合进大本曲影像中,具象化地再现了存续于
特定区域的人文景观。依托网络空间的开放格局,民间艺术得以互赏互鉴,走向尊重文化多样性的美妙境界。

关键词: 白族大本曲, 说唱艺术, 数字媒介, 影像生产, 自我重塑

Abstract: The performance characteristics of oral art reserve space for its creative development based on tradition. With the
presentation and dissemination of Douyin and WeChat, the Bai Daben ballad has expanded from village to the network space. The way
that short videos, live network broadcasts and WeChat songs present are close to people's daily behaviors, making the media
performance become the form expansion and function continuation of the village singing, and activating the tradition of the performance
of the big song, which was previously in a semi-silent state. The people integrate the local cultural factors into the Bai Daben ballad
image, and concretely reproduce the cultural landscape of a specific region. Relying on the open pattern of cyberspace, folk art can
enjoy and learn from each other and move towards a wonderful realm of respecting cultural diversity.

Key words: the Bai Daben ballad| oral art| digital media| image production|self-remodeling

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